The 101 Experiment: Art as a Permanent Asset
The premise is simple. The execution is a marathon. The result is a life’s work distributed.
I am embarking on a new series: 101 original paintings. No prints. No limited editions. No digital copies. Just 101 physical “Permanent Cards” that archive different phases of my life, my memories, and my technical journey.
The Reverse Auction
I am setting a new market rhythm. I am starting at Painting #1 with a price of $100,000. From there, the price for each subsequent painting will descend by exactly $1,000 until we reach the final piece—Painting #101—which will be released for $0.
This is more than a sale; it’s a social experiment in value. At what point does my history intersect with your reality? When does a memory become an investment? You decide when to buy, but once a number is gone, it is gone forever.
The Mastercard: #1 of 101
To lead this charge, I am starting with the “Mastercard.” This isn’t just a painting; it’s a dual-sided relic. Constructed on a 48″ x 32″ pure white and black Dibond aluminum panel, this piece is designed for permanence. Aluminum doesn’t warp, it doesn’t rot, and it doesn’t forget.
Richter Art 